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Book Details

Cover of From Hitler to Heimat

From Hitler to Heimat : The Return of History as Film

ISBN 9780674324565
Pages 288
Year 1992
Edition 0
Subject FILM STUDY
Rs 3520.00 Rs 2816.00
Description
West German filmmakers have tried to repeatedly over the past half-century to come to terms with Germany’s stigmatized history. How can Hitler and the Holocaust, how can the complicity and shame of the average German be narrated and visualized? How can Auschwitz be reconstructed? Anton Kaes argues that a major shift in German attitudes occurred in the mid-1970s—a shift best illustrated in films of the New German Cinema, which have focused less on guilt and atonement than on personal memory and yearning for national identity.

To support his claim, Kaes devotes a chapter to each of five complex and celebrated films of the modern German era: Hans Jürgen Syberberg's Hitler, a Film from Germany, a provocative restaging of German history in postmodern tableaux; The Marriage of Maria Braun, the personal and political reflection on postwar Germany with which Rainer Werner Fassbinder first caught the attention of American and European audiences; Helma Sanders-Brahms's feminist and autobiographical film Germany, Pale Mother, relating the unexplored role of German women during and after the war; Alexander Kluge's The Patriot, a self-reflexive collage of verbal and visual quotations from the entire course of the German past; and, finally, Edgar Reitz's Heimat, a 16-hour epic rendering of German history from 1918 to the present from the perspective of everyday life in the provinces.

Despite radical differences in style and form, these films are all concerned with memory, representation, and the dialogue between past and present Kaes draws from a variety of disciplines, interweaving textual interpretation, cultural history, and current theory to create a dynamic approach to highly complex and multi-voiced films. His book will engage readers interested in postwar German history, politics, and culture; in film and media studies; and in the interplay of history, memory, and film.

About Author(s)
 Anton Kaes is Professor of German Literature and Director of Film Studies, University of California, Berkeley.He is the author of Expressionism's in Amerika and the Editor of Kino-Debatte: Literatur und Film and Weimarer Republik: Texte und Dokumente zur deutschen Literatur.
Content
Preface

1. Images of History

Postwar German Films and the Third Reich

2. Germany as Myth

Hans Jurgen Syberberg's Hitler, a Film from Germany

3.The Presence of the Past

Rainer Werner Fassbinder's The Marriage of Maria Braun

4. In Search of Germany

Alexander Kluge's The Patriot

5. Our Childhoods, Ourselves

Helma Sanders-Brahms's Germany, Pale Mother

6. Germany As Memory

Edgar Reitz's Heimat

7. Epilogue

Film and Videotape Sources

Selected Bibliography

Notes

Index

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